Acting Techniques – How to Locate the Right Acting Method For You

Crée par
9 septembre 2018

Avis Acting International

There are so many acting techniques out there. Do you know which acting technique is right for you? Below are some pointers to make sense of it all and to assist actors select an acting course based on the sort of acting training they want.

1) The Stanislavski System
First, note that of the acting techniques now taught in American acting schools are based on the work of Constantin Stanislavski, a Russian actor and director that developed an acting strategy to help actors be real on stage. Here are a few highlights of the Stanislavsky system you will want to be familiar with as an actor:

To be able to believe in the given circumstances of the play, Stanislavsky actors use the magic if: »Imagine if this was really happening to me? »

Actors break down the script into goals (what the character wants to achieve ) and activities (what the character is able to do to try to achieve his goal ). Each action is an active verb (to assist, to hurt, to convince) which helps the actor concentrate on doing rather than feeling.

Actors learn how to relax their muscles and clinic concentration so they can focus on the circumstances of the play and also cope with stage fright.

Actors get their own memories to call upon emotions necessary to perform with certain scenes and acting roles.

2) Method and Meisner

The other two important acting techniques taught in acting colleges are method acting (also called »The Method ») and the Meisner technique. Both of these acting techniques were inspired by Stanislavski and both assist the actor create actual ideas and emotions under imaginary circumstances, however they do it differently.

Method Acting turns the focus inward. Actors learn how to use their five senses (sight, hearing, touch, taste, odor ) to remember objects, experiences and emotional memories. All these sense memory exercises make it possible for actors to draw from their own experiences connect with the drama and in order to produce the character.

Meisner Acting turns the focus outward. Actors train to change focus from themselves for their acting partners so they can react to what is happening in the moment. They rely to get ready for a scene. (Stella Adler, another pupil of Stanislavski, stresses the importance of creativity in her acting technique.)

3) Additional Acting Techniques

Stanislavski, »The Method », Meisner, Stella Adler… All these are the acting methods most actors have heard about, but if you’ve already explored these acting techniques and wish to try something new, there are plenty of acting classes that teach lesser known techniques like Anne Bogart’s Viewpoints method, Viola Spolin’s improvisation method or Tadashi Suzuki’s physical training to the actor, to name a couple.

4) Which method to Pick

Is there? Every one of the acting methods has been studied and employed by actors, so the point is not that acting procedure is the best, but which works for you.

Think of what you will be doing in class. Are you interested in doing a lot of solo exercises or do you react to improvisation and scene analysis? Think of the kind of acting you want to do. The procedure works ideal for film acting while a Spolin course is a fantastic option if you are mainly interested in theatre and improvisation.

Think of your strengths and weaknesses as an actor when you decide what to study. For instance, Suzuki or a Viewpoints acting course is a good choice if you would like to have comfortable in front of an audience or if you need to work on your own presence on point.

Although it’s important to try and select the acting technique that speaks the most to you remember that acting school is not the end of your acting travel, but the beginning. As your career develops, you may accommodate your acting coaching to different acting jobs and create your own method, a unique method of rehearsing, developing a character and finding the facts within a scene.

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